Billed as 'symphonic metal' Edenbridge take the former literally with the "The Force Within". The band have hired the Czech Film Orchestra, just in case anyone were to dispute the veracity of their symphony. It's more Lord of the Rings than Ride of the Valkyries, but no less fun for that. "Shadowplay" sees the band's more usual sound. It exists in the realm of Xandria and Within Temptation. There's a twiddly prog-rock feel to the instrumental section, but thankfully this doesn't last to long. There's a romanticism to the band's sound that welcomes the listener in. "Remember Me" has an instantly catchy melody, with a tinkling piano that never tires. The presence of the Czech Film Orchestra adds weight and dignity to the song. "Paramount" has a chorus of voices backing lead singer Sabine Edelsbacher. Her voice is always the centre of attention, but this style of presenting vocals adds warmth to the sound. "Adamantine" has a tinge of electronics, but nothing to scare the unwary. There's a good sense of dynamics on display.

The chorus of voices gives "Whale Rider" a 70s feel. Sabine does such interesting things with the melody. There's a Marillion-style prog-rock guitar solo. "Undying Emotion" starts with a delicate piano and flute combination. It's about time we had a change of pace. The orchestra takes the limelight and I'm reminded of Xandria's "Eversleeping". Not every band should be required to do a ballad, but such a style of song seems suits female-fronted rock. Having heard this it comes as no surprise to learn that Edenbridge have previously covered the James Bond theme "For Your Eyes Only". There's a hint of Danny Elfman in the instrumental passages, which just adds to the fun. "Fallen From Grace" showcases the heavier side of the band. I'm less keen on this hurried sound. The verses don't give Sabine enough space to breathe. Some of the orchestra stabs have power, but while it's not terrible it is my least favourite song on the album.

"Place Of Higher Power" has a flavour of the Middle East in the vocals, with some exotic instruments in the background. This album features both bouzouki and pipa. It's an intoxicating mix, unexpected and delightful in equal measures. The album closes with a 12-minute epic eponymous track, broken into six sections. It starts with heavy riffing and surging strings. There's an interesting patterns of peaks and troughs. We are plunged into the abyss just as Sabine's vocal are introduced. The hints of prog-rock found on the rest of the album find fruition here. Restraint becomes an ugly world and the players give full reign to their musical fantasies. This song sees the first use of male growled vocals, not a style of which I'm usually fond of, but it works here.

The mix of orchestra with prog-tinged metal, topped with strong – yet melodic - female vocals is a winner. Edenbridge exist in the world of bands like The Dream Theater and Marillion. They aren't worried about being trendy, they are following their own mystical paths. They might not ever have a huge international following – though they deserve it – but those who love these bands love them passionately. I'd rather have the devotion of a few, rather than the mild liking by the many.